Havana Dinner (Cena de la Habana)

Mostly fictional story inspired by little factual moments and non-fictional emotion

As soon as I see him, I recognize him.  I have never seen this woman, but I have seen him.  I have studied him and been affected by him and written stories in my mind about him.  I lose my breath a little, as he and this lady climb into our shared taxi.  He opens the door for her, and she, in her dated, flowered dress, img_8829slides across the bench seat next to the driver.  He climbs in behind her, striking in his presence, and leans toward the window as the car pulls away, fanning himself in a signal to this lady that he is hot.  She smiles and nods, and readjusts the top of her dress, stuck to her doughy skin with the sweat of summer.  I notice how pale she remains, even in the thick of strong summer sun.  I know this man, who knows many women, but he does not know me.  As we drive east toward Old Havana, I think of nothing but that night I first saw him.

My husband, who sits next to me now in this hot, shared car, had taken me to a newly renovated restaurant in Vedado.  Ten, maybe twelve couples scattered around at tables, a few bigger groups of families or friends.  Not empty, not full.  The couples ranged wide in age, but clustered around sufficient levels of attractiveness – no one standing out one way or the other.  Everyone either together local or together tourist, but no couples mixed in that capacity or in age even if otherwise in race.  The wait staff attentive and alert and buttoned up; a mime going around surprising people quietly, though without any spectacular talent.  Music played lightly accompanied by videos on the few television screen, masking a small volume of chatter and allowing any two people not to talk if they had nothing to say.  A scene anyone could hide and fold into.  They came in, this man and another woman, intertwined, commanding attention without asking for it. She entered first – he had opened the door for her with his right hand, keeping his left hand tightly squeezed around her right hand as it trailed behind her back.   He followed her in, their hands repositioning to intertwined fingers as he regained his steps to be by her side.  She reached across herself and touched the bottom part of his left bicep with her left hand, slid that hand down to the inside of his elbow, leaning into him. The shift of her weight to the right, against him, was barely visible, but the power of the layered touch evident – visible energy created simply by her white hand on his brown arm, their contrasting fingers interlaced two feet below that grasp, her red nails appearing like brushes of passion clustered by his elbow and his palm.

I felt conspicuous, my eyes glued to the them.  My gaze must have been a magnet, guiding the waiter to sit them at the table right in front of my husband and me. Opposite energies attracting – when was the last time my husband held my hand rather than just let his fingers wrap around mine with no greater purpose?  He pulled her chair out for her, but as she took her purse off her shoulder and thanked him they both got stuck within a gaze and paused before sitting. All tangled up in smiles, they escaped the tangle with a kiss, straight into each other, strong. As their faces regained distance I saw their lips revived with moisture from the other.  Shifting my eyes away from their wet lips, I noticed the details of these two.  His height, dark skin, bright eyes, big hair shooting evenly in all directions; his strong and lean physique.  Him, making a simple gray t-shirt with some blue writing look tailored for him.  Her tan skin, blond hair pushed behind one ear, inviting eyes, flawless legs by Cuban standards; her, not quite as tall as she carried herself.  Her, unselfconsciously letting the white dress she wore show off a strong but curvy body. He grabbed her hand again as they sat down.  As I imagined him squeezing her fingers, the corners of her mouth lifted toward the moon, both their eyes radiating beauty.  Were their eyes that beautiful separate from each other, or was it the beams of light traveling between them that made them so? What were they pulling out of each other? I glanced at my husband, to see if he saw this light, but he was looking at his coffee cup, tapping the end of his spoon against the table lightly, humming a tune I didn’t recognize, letting a thought wander through his mind that I could not grab – did not want to grab, if truth be told.

However kind his words to her were – the ones he said lightly, causing her to blush; the ones that pulled her closer to him, making her lean in seductively with a smile – they were modest compared to his actions. He held her hand, grabbed her thigh.  He gave her bites of his food, brushed her hair behind her ear, smiled when her eyes asked for it and even when they didn’t. He gave her a napkin, moved her drink, shared his, anticipated her needs. The length of time each held the floor during their conversation told me their discussion was of something substantial, though it didn’t darken their eyes.  Their light filled the room but only could be captured by each half of this whole. I wanted a hint of what it would feel like to bask in this light, but without a way in, I could only imagine. Their words remained undecipherable, but I eventually heard their laughs – his full of extra air filling the space between sounds, hers quick and instinctual.  The punctuation of their laughter told me he was local and she foreign. You see this here, not frequently but not rarely. Their ease of energy was what echoed uncommon to my third eye.  I was certain they knew each other well before this dinner, this day, this week, this month. Knowing how hard it would be for him to visit her and return to Havana – the money that would need to be saved, the time off work, the logistics of travel and reentry, particularly if she was American, one of our new tourists – I knew they didn’t meet on her soil.

No one at that paladar would see this exchange of light between my husband and me.  We don’t have it and I’ve thought before I saw this couple, and while I watched them, and endlessly since then, why not?  What don’t we have? We have history, but it is just accumulated through companionship, piled on top of our own respective souls.  But these two, here in front of me, they have moments (even if, so far, fewer) piled on top of some sharp electricity trying to find its way to the other person.  They have layers and layers shaped by some core ache for the other. The mutual ache pulls something out of the other and devours it, in front of our eyes. I sat there, envious, knowing I was seeing something different than I had, something I wanted.  How at home they were with each other here in the midst of a newly renovated Cuban restaurant told me how homesick they felt for each other between the time they met and each reunion. That I wasn’t recently familiar with this ache of homesickness had little to do with my lack of travels.

As I watched them eat and touch each other and share their drinks, their eyes limiting each other’s subjects, I created their first moments in my mind. He was supposed to model at The Palace’s runway show, still going long after its height of popularity, when it once commanded 15 CUCs – near a whole month’s government salary – just for nightly cover, still a draw for the beautiful and artistic in Havana, still a way to make extra CUCs for those with his cheekbones.  The rain, as heavy then as the downpours we had this week, stopped the show that night.  Already there, away from his home in Central Havana and ready to walk the runway, he didn’t want to just go back home. He popped over to Fabrica de Artes Cubano, alone, saying hi to all the other culturally immersed locals who frequent this warehouse turned art mecca any given night it’s open.

He arrived long after the crowd had thickened on the dance floor, but well before there was no room to move.  He saw a group of foreigners talking with a few locals, one of the foreign women with a short black dress and nice legs and innocent smile.  He tried to figure out if any of the local or foreign men with her were her boyfriend.  Her warm smile made it hard to tell, but she shared it without discrimination, making him think none were more special than the next.  The group was standing near the downstairs bar and discrete area celebrating architecture, a little enclave that allowed them to peek into the dense dance area. Wanting to go to the outside bar, they were trapped inside by the same rain.  He said hi to her, introduced himself in his accented English. He stuttered on his words just slightly, and somehow the stutter gave her a better glimpse of his kind soul.  She said hi, introduced herself, smiled, acknowledged that she couldn’t speak Spanish too well.  Her deficit in Spanish skills and her legs made her seem younger than she is; his manners and reserve made him seem older, closing any gap that existed. Their meeting was the lightning that should have accompanied that storm.  And so it began.  This is the opening scene I assign to them.

As I weave my way through the paths their story can take from that start, my husband orders another Cuba Libre and glances around at the other diners.  He points out the mime, moving toward this couple’s table.  The woman is looking at her menu, her hand still resting on the forearm of her lover, whose arms rested on the table, stretched easily toward her, his fingers fidgeting as he contains his desire to grab her hands.  The mime’s face comes between them and he notices but she doesn’t, her eyes busy translating the Spanish dishes into English as her red tipped hands run up and down his forearm like a route she navigates daily and can navigate blind.  As she weighs her decision, she bites the side of her lip, plays with the necklace that rests right between her collar bones with her left hand.  He keeps his eyes on her, a gaze heavy with adoration. Do all couples have that at some point in time, that longing combined with reverence when you spot the person you want simply caught up in the task of being themselves? His adoration shot from his eyes and made her passion brushed fingers squeeze his forearm, but did not make her break the concentration required to read the menu in a language she was still learning. The mime patiently waited for her attention, but he was not so patient, finally grabbing her hand in an effort to get her head to turn.  When she looked up at him it was the mime’s face in between hers and his, making her jump with surprise.  fullsizerender-3Their laughter caused smiles all throughout the room and Havana and Cuba and back to her home that she only missed for the people with whom she shared it.  The light skinned of us, including my husband, blushed at the intimacy hidden in this moment, ripe with an inviting foreshadow.  The mime removed himself with a knowing smile, giving him space to kiss her.  And he did, pulling her to him and tasting her smile and swallowing her laughter and I knew the very first night they met, he kissed her like that, and there had been many nights since.  Their kiss lasted longer than any I’d known for years, right there in the middle of the restaurant with the mime just feet away and the daiquiri and the oversized sangria ignored.  I had to look away knowing the moisture of their parting and smiling lips would make me cry.  I didn’t want my own dry lips to catch the falling tears, knowing they wouldn’t be seen by the man sitting at the table with me.

I distracted my eyes long enough time to take a couple bites of my food, comment on the shrimp in an effort to start a conversation with my husband, receive his nod in return. I turned back, seeing her point out to him the dish she wanted on the menu before the waiter took their order from him.  He ordered her dish first, nodding at her to confirm he got it correct, giving her a chance to change her mind at the last minute, but handling it all as he would even if they spoke the same language.  The waiter stepped away quietly, letting them resume their conversation as he grabs one of her hands resting on the table with both of his. Her look content. His shining eyes gained a pensive look and hers one of concern, her eyebrows raised and squeezed slightly together.  Her beauty shifts from a subtle beauty to one of depth, and I know now for certain she is older than him. The dilemma of decisions he is trying to piece together are familiar to terrain to her.  In weight if not in substance.  I wonder whether, in the days after they met at the Factory, whether that mattered to her, to him – their age difference.  Did they realize how many years reached between them? Did it matter more than the miles of the residence, or the experiences of their ancestors?  Or was it nothing, not even a thought?

Her concern pegged her as a realist who had, somewhere along the way, tamed her romantic heart that, now, was beating. Maybe she had known before meeting him what it feels like to sit in my chair, here, with someone who has nothing to say to her anymore and with whom there was never an ember of electricity upon which to pile moments, someone with whom there wasn’t an ache stretching for light.  Someone with whom you don’t know jealousy, someone who doesn’t generate longing; someone with whom your heart hasn’t needed reshaped in order to carry the weight of emotion. Maybe it wasn’t the age or the miles or the difference in skin pigment that mattered at all that first meeting, those days after.  Maybe it was just that she believed she should enjoy the moment, the rush of feeling, but not hope to extend it to anything more. And he, lucky for her, had no reason to contain his feelings.  His pensive but open expression betrayed his heart, a romantic who hadn’t yet needed to stoke his realism, at least as it relates to women.  Cuban men need to be realistic about many things but not, generally, women.  I see him leaving her Havana apartment the morning after they met, right off the Old Plaza, her body aching with gratefulness at the fun of the night and her mind, void of expectations, reminding herself of the men at home who could easily take his place, but trying to etch his chiseled smile into her long term memory.  I see him running to work, hoping to get off early, realizing half way through the morning that he didn’t take her local phone number.  He gets his day’s work done in half the hours that fill the work day, and at lunch time brushes off the thought of the 2 CUCs – nearly ten percent of his monthly salary – to call her U.S. cell.  “Hello, it’s me. I want, I want to, to see you. I want to take, take you to lunch.”  She pauses only out of surprise, not hesitation.  “Yes, yes, that would be nice.”  “Wait for me, I will be to you in an hour.”  Here, phone conversations are too expensive for anything but logistics.  He runs back to her, not wanting to lose minutes she didn’t think they had.

I sat there, watching them talk, her look of concern holding consistent.  Were they talking about the end of this trip? Or something unrelated to their time together?  I couldn’t tell, I couldn’t hear.  They already must have had a string of hellos and goodbyes – small bookends to nights, to days, to visits.  I daydream about him riding with her toward the airport that first trip, the day she would board a plane and return via a Central American country back to her own; him wanting her to rest her head on his shoulder and her obliging gratefully, him taking in her sweet, distinctive smell; keeping his lips lightly on her soft hair.  When the car pulls over at his stop, shortly before the airport, she swallowed back her tears, knowing that to do otherwise would be unrealistic.  She stood outside the old red Victoria to give him an embrace, one she believed likely final.  “I want to see you again”, I hear him declare softly in her ear.  “I don’t know.  I don’t know how that will happen”, she responds, tentatively.  He didn’t know, either, but cared less about the knowing part than she did.  Daily life here in Havana requires realism and permits – refines, even – romance.  He was good at both.  It was his hands that sent her a note the very next day, not knowing what to do now that they couldn’t hold her, thanking her for all the moments together and reminding her he wanted to see her again.  She read the note and her heart warmed, thinking of all those moments he mentioned without more specifics.  Moments, filled with dancing, with walking in the rain, with his arm around her, with exchanged glances and winks as they won game after game of dominoes, with him showering her with kindness, with him assuming he was invited into her world, with her not protesting, with him rushing to see her at every moment he could.  img_8823-2Maybe there was a moment that she joked about their vacation fling, and he stopped – stopped walking, stopped her, stopped the world –  and told her it wasn’t like that, that he felt more for her.  Maybe, when he said it, her voice responded “But how is that possible?” as her lips were pulled toward the sun despite herself.  At home, a few days went by, and she realized she missed his hands and gaze on her more than she expected, even with the other men giving their hands and their gazes.  Each one is different, they don’t tell you this when you are younger: you can want many and none compensate for the void of the other.  She missed the water he would put by her bedside each night, him watching her do her makeup and proclaiming her beauty when her face most naked, him holding her hand and kissing her unabashedly everywhere they went.  She missed them showering together, dressing together, laughing together. It was a few days after that, still, after he sent her more notes that proclaimed – consistently, repetitiously –  that he wanted to see her again, that she decided to return.  He permitted the romantic in her to be nourished, her heart opened. As I watch their conversation, these short notes run through my mind as if I’m flipping through a book.  After the book of notes, I see an image of their reunion, his convincing successful: Her coming down the stairs from her Havana apartment, opening the door expecting to see him right there but greeted with an empty stoop.  Scanning the street, she hears her name called from the garden café right under and to the left of the stairs.  She looks over, and he is standing tall in the crowd – his hair, his cheekbones, his smile and the red rose he holds for her pulling the corners of her lips and her heart up toward her eyes.  She goes quickly down the stairs, straight to his embrace, so happy she came back. Another hello, so worth the wait.

That night in the paladar, he talked for some time, a monologue to which she intently listened while I wove my version of their story together. He shrugged his shoulders, broad and perfectly strong, sized well to be animated when necessary.  He shrugged again a few seconds later, and I imagined he is talking through a decision with her.  She bites her lip in a show of empathy, indicating that she knows there are no easy answers at this point.  What is he telling her? What is he trying to decide?  She leans in closer to him and puts both hands on his left forearm, then lets one run down toward his wrist and grab his hand again.  I want to lean in closer, to hold someone as well, to feel what it feels like to express yourself through touch.  She says something, thoughtfully, with more volume and projection than she had spoken up to this point.  I can’t understand her English, but I hear her speak fast and then, after a deep breath, slow purposefully down.  It sounds like a song, like an offer, like someone providing clarity.  What is she offering – a solution? An explanation? An option? If I don’t think of gluing my feet to the floor beneath me, I might find myself sitting at their table, trying to piece the story together as I interpret more than just his English for her and her Spanish for him. I glance at a television, see a video of three bandgirls dancing solo next to a famous Salsa band – a video that is twenty years old but still played on repeat here in Havana, where new content is slow to arrive.  So slow that we know how to cherish things for longer than their shelf life might be elsewhere – a handy skill for life.  I glance at my husband, thinking of what to say to this man who I can barely describe to myself any longer, but who sits here with me. Maybe just the sitting here counts for something?  Maybe.  He picks up his Cuba Libre and takes a sip, nods in my direction rather than touching me. He doesn’t know I want him to touch me and I don’t know that I want him to, either.  He says something to me, but his words are covered by an unexpected deep and low laugh from the table I am trying so hard to ignore. My eyes scan back to them, quickly, my husband’s eyes following.

I missed something critical.  This woman in the white dress is not holding the arm of this man in the blue shirt any longer.  She’s sitting up, straight in her chair. Her shoulders poised, but her gaze down at her food, her arms gently by her side, her hands holding the small square of napkin offered.   Her eyes dart around at the air right in front of her rather than at anything in the room, trying to grab tiny particles of courage floating in the air.  At first I imagine she is trying to tell him something more, but then I see a well of water gathering in her right eye.  She dabs at it before any can fall too far.  He is talking again and playing with his food; did he see this moisture that would betray her heart? Or did he think it was just a tear duct clearing out a particle of dust, wiped dry before it reached the slew of freckles half way down her cheek. I dab at my own eyes to be sure it is her crying, and not me.  He asks her something and she waves the hand closest to him in the air, indicating the answer and question can be brushed off. Or, maybe, indicating that she needs a second to be able to speak without tears, I cannot tell. He smiled, gently but cautiously, and put his hand on her knee, and this time it was her own effort that curves her mouth into a smile, not the pull of the moon, and she looked right at him, pained.  Her shoulders stayed poised, though, coaching whatever part of her heart that generated those tears to stop, please, stop.

What made her cry? I suddenly felt protective of her.  Down here, on this trip she was tentative to take, offering him something of herself.  I want to shield her, vulnerable and exposed, even if it is kindness that sits next to her.  I think of distant memories when cold air swept through my lungs and pierced my heart and made me feel hollow and on the verge of crumbling.  Did that cold air just sweep through her chest? Did she lose her breath, stiffen her shoulders to ensure she wouldn’t crumble? I feel this feeling myself, appearing like a storm after pieces of myself I offered were rejected. I project it onto her.  We can gather up courage to offer ourselves to another so rarely in life – maybe before you know better, and then once you know where the lack of courage gets you.  She’s younger than me, maybe fifteen years younger, or maybe just ten or five but with a youthful energy, but she’s already ahead of me, using that latter courage. I don’t want her to crumble.

“You hurt my feelings.”  Is that what I heard? Are those the words I read on her lips? Or were they my own thoughts, finding life in her? I can’t make sense of any other phrase – I don’t know enough English to come up with any other words that fit the cadence of her mouth.  “You hurt my feelings.” She says it again, more quietly.  Her announcement exposed me, and I scan the room to see who else is mesmerized, still, by them.  img_8825-2Others are watching – trying to mask where their eyes are directed but unable.  His hand moved from her knee to her cheek, wiping a newly falling tear with his thumb. She leaned her head against his palm, pushing down so the back of his hand had no choice but to press on her bare shoulder while the palm continued to caress her cheek.  She turned her head toward his hand, kissing the ridge of his thumb that connects down to his wrist.  The pressing of her head to his hand to her shoulder to his thumb to her lips burst with tenderness.  The tear announcing hurt, the tenderness still invited him in – that is courage I have never known.

My mind raced with the question, what hurt her feelings? His laugh must have been the cause, was clearly connected.  That laugh, misinterpreted and wrongly placed. I skip backwards to the beginning I gave them – the rain, The Palace, Fabrica de Artes.  I skip forward again.  He has a chance to model abroad now, on a runway in another country. Maybe France, maybe Italy.  He wonders if it will be good for him and his family – a way to make their life better in a way that can’t be done on government salaries here in our world despite not being able to see them.  He contemplates, with her empathy, what he can do after this three-month stint ends, his current Visa expires? Will he be able to return contently to Cuba, having experienced a bigger world, knowing he has no opportunity to make things better here?  Where can he go to find more opportunity? He suggests to her that he has foreign and relocated friends, encouraging him to come where they are and offering their help, even in her little corner of the world, a mecca of opportunity itself.  This is when she leaned in, grabbed his forearm with both of her hands, ran her fingers down to his wrist, and, sensing maybe that he wanted what she was about to offer – opened herself. “If you want to come to my city, I will always help you.  No matter what happens between us, even if we can’t talk for months or years, even if we aren’t together, if you came, I would help you.  You would always have a place to stay with me, I have plenty of room. I would help however I could.”

For her – a sincere offering she wouldn’t make if she didn’t care about him and one she wouldn’t withdraw, an offer she’d make to any friend, to very few lovers. For him – a reminder of other offers similarly made, then quickly withdrawn once he had set his pride down and asked for such help.  Before she could even finish her words, his deep and low and powerful laugh came out.  The laugh causing her to sit back, reclaim her newly hollow chest, realize the depth of these new feelings there to be hurt and coaching her tears back.  Out here on a limb on this return trip to see him, his laugh told her this magic between them was fleeting, nothing to be taken seriously; that while she might have feelings running deep for him, that depth was not mutual.  Out here on a limb having courted her back and sacrificing all his extra time to be with her; nervous, about to leave this country for the first time, his laugh was his way of taming the embarrassment and disappointment that saturated memories of others offering the same help, never to truly mean it. The memories of those that offered then withdrew, “No, sorry, we can’t help, not now”, a wound recently made and still raw, a wound that her tenderness alone could not negate.

Of course, in that moment, if this is their story, she couldn’t explain why her feelings were hurt and he couldn’t explain why he laughed.  They were at a restaurant, eating pork and fish and beans and yucca and absorbing the admiring eyes of twenty people who longed to have the wires of connection that pulsed through the air from the moment he opened the door for her without letting go of her, and there was a language barrier, after all, even in lust and like and love.  All he could say was “I am sorry, babe”, so softly I couldn’t have heard if I wasn’t holding my breath. She leaned over and kissed him before saying something, just as soft, then kissed him again.  She trusted his apology and he trusted her acceptance of it.  He fixed her dangling earrings and pushed her hair behind her ear again, tapped her gold necklace.  The world was realigned.  He cut a piece of his pork and put it on her plate, she did the same with her fish.  They smiled at each other, their knees were touching.

We paid our bill shortly after.  Reluctantly, I walked out of the restaurant, feeling as if I was leaving a movie half of the way through it. My husband put his hand on the small of my back as he opened the door for me.  I thought of reaching behind me to grab his fingers, hook them into mine.  But I didn’t.  I knew that what I really wanted was another set of fingers to grab, another hand guiding my back. I didn’t want to feel the disappointment of just grabbing his, just feeling skin on skin rather than a current passing through bodies. How unfair to us both.   The rest of the night also unfair.  The cab ride, our bed later, I filled only with thoughts of these two. I sorted through different storylines to their next chapter.  Him, watching her pack her suitcase with melancholy eyes.  Her, looking at her remaining CUCs and realizing how much money it would be for him, thinking of the percentage she would lose to turn them back to U.S. dollars if she did.  Him, pushing the money away when she offered it – other times, he wanted money, gifts, but not from her.  img_8831Her, letting tears stream down as she told him she wanted him to take it.  Him, asking her to lay next to him for a little while longer. Her, asking him what he really wanted.  Him, saying just more time, more time with you, to pass more time with you.  Her, wrapping her legs around him. Them, kissing, consuming, kissing.  Him, using the suitcase she gave to him after disbursing all the gifts she had brought in it to pack for his first trip out of this country.  Her, laying next to the man she slept with in her country, only their feet touching as they drifted off to a deep sleep, missing the way this man wrapped himself around her even in sleep.

That night I dreamt of those two, and thought of them many times ever since.  The story I wanted to write for them had another reunion, a permanent one or one of permanent recurrence.  But I could never quite clearly envision it.  I kept weaving through the story that their touch told me, but as I’d take the story further, I’d have to address the peripheral stories that inevitably arise and I didn’t want to.  So, I’d freeze time. I didn’t want to temper the magic I felt watching these two with the peripheral.  I wanted their magic to be real.

But here, six months later, in the muggy heat of July, I see the peripheral story couldn’t be avoided by me freezing the time in my mind.  He is sitting to the right in front of me, his head looking out the window still, while his hand seems to be resting on the knee of this woman in a flowered dress, the woman who is now with him and who is not her.  This woman’s skin tone different, her hair different, her poise and mannerisms nothing familiar to me and nothing, nothing at all, like the other.  We move slowly toward Old Havana, stuck in traffic caused by a rare accident near the Revolution Museum.  Everyone is restless but I am grateful for the time to study these two – do they have that same magic? Those same wires of electricity aching to touch the other person, upon which moments and moments are built and shaped?  Maybe it is the high bench of the front seat or, more likely, the bias of my mind, but I can’t tell. I don’t know what I want the answer to be.  I don’t want my memory of the tenderness and connection I witnessed lessened; I don’t want the reality of it lessened.  But would magic here in this taxi, with this other woman, lessen what I witnessed six months ago?

Our taxi stops and the older gentleman to my right gets out of the car and wonders slowly without focus up Escobar Ave.  This familiar and striking man opens the front door, and he and the woman slide out and cross the street to walk along the Malecon wall, holding hands, smiling.  We have a bit more to drive, as we head toward the art warehouse to see if the woman who sells coffee, coconut and red wine flavored soap is there today.   I scoot away from my husband, temporarily having more space in the backseat and needing air around me to cool off.  He seems grateful for the space I give him.

I gaze out the window and imagine the ache if they never spoke again, if they never saw each other again.  What if they disappeared from each other’s lives – one aching for the other, then vice verse, but at different points in time?  Her readjusting back into her relationships with American men, those men in awe of her subtle fire but containing pieces of themselves in a way this man never did.  Him, meeting women in France or Italy or whatever European country he went to, reconnecting with previous visitors who had met him in Cuba, returning a few months later to pick up the fleeting relationships he would have here. I see them exchanging some notes here and there, then, somewhere along the line, without explanation, him cutting off communication, not wanting her to find out about all the other women.  He wonders, every day, whether she still thinks of him.  When she realizes she can’t get a hold of him anymore, her only hurt being that she couldn’t tell him that she didn’t care about the other women that preceded or followed her.  She’d always known they existed, just as men preceded and followed him.  But she never got to tell him and they never got tangled up in each other’s smiles again, never tasted each other’s laughter again.  A final goodbye never said. What if that – that distance, that misunderstanding, that silence – was the ending? If that was the ending – then what exactly did I witness that night that he tasted her laughter and her tears?

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Once upon a time I thought if the ending wasn’t a fairy tale, the middle moments weren’t part of such a romantic tale either.  I believed the ending qualified the story – without an “ever after”, there never really was a “happily” all along, never the love and energy and magic that we bind up in that concept.  My husband opens the door behind the driver, climbs out, and forgets to offer me his hand as I push myself out of the backseat, and I realize how silly, how backwards, I had it.  The ending, in fact, doesn’t matter at all.

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Curating My Story, Curating My Soul

Sometimes you have a story in you.  Your experience sits in you, pulling words around it, gluing them together with emotion.  Stretching them apart with dialog, reordering them with reason and then muddling the reason with whatever it is beating through your heart, making the story chaotic and gray and lively and beautiful and painful.  You live the story every day, but you can’t find the right words for it or figure out what the next chapter should be.

I know, because I had such a story in me.  I wrote and wrote.  I shared some of what I wrote with everyone, some with just with a few people. Some I couldn’t share (yet), because as open as I am, there’s this carefully built wall, precisely positioned to protect that soft beating muscle in my chest.  But I kept writing, hoping to see the story, to understand it, be strong with it; hoping to discover how to write it and how to live it.

But, the writing didn’t work.

There were too many dimensions to capture, at least for my novice fluency with words.  I couldn’t do justice to what I was feeling –not the power, the pain, the love, the courage, the confusion, the tears, the smiles, the clarity. I was exhausted as I purged the best words I could out of me; but, exhausted, I still had this story in my heart.

So what exactly do you do when you have a story to tell but words can’t tell the story? What do you do when you know you need strength and grace to forge forward, but you don’t know where it will come from? Because all your strength and all your grace has been drained away as you lay your heart naked with vulnerability.

I decided I needed to dance.

I love to dance, but have never danced before. Not really. I’ve never taken a lesson beyond the age of 7, I’ve never danced in a structured way. (I can’t overstate this – I Am Not A Trained Dancer, even if in my head I was in a different life.)  I’ve certainly never put my emotions to movement, which sounds simple and soft and subtle, but isn’t.  But, with this story inside me, I found myself wanting to learn to dance as well as wrap myself around the story.  Not just move left when a teacher moves left, move right when they move right.  But have my soul Speak through my body.  So, I asked this Magician I know – this Magic Storyteller, this Soul Interpreter, this Spirit Animal, this Emotional Fuse – to help me.  Together, we listened to a song that made me cry every time I heard it. She heard all the layers of the song and, more importantly, she watched me listen.  She saw the lyrics that touched me even when I thought I was hiding pain and love behind my eyes.  She saw when I closed my eyes, when I took a breath, when my face surrendered. She took this and gave my story movements.

Of course, first, patiently, she needed to give me some foundation, because this song I chose isn’t an easy one to dance to. (Note, that I would have needed foundation even with an easy song. But, foolishly, I always like to dive deep.)  She taught me movement and grooves and let me wrap my body around it in my own time …. and it took me quite a bit of time sometimes! (Countless late nights in front of my mirror at home.) It took me two classes to just learn to walk forward gracefully (oddly, I was a natural at walking backwards); I’d conquer two quick moves and she’d throw a third slow one in and my body would forget everything. I had to learn to point my toes and soften my hands; my hips always did the opposite of what she and I both expected them to do.  Her work was cut out for her. Laughter and determination filled the early moments.  Beautifully, however, she also absorbed the emotion that came out during the lessons and wove it into the choreography that would bring the song I chose to life. As she built my Body’s Story, I cried many times.  The moves she constructed said more than my words ever could, vibrating deep in my heart where I felt most exposed.

But the goal wasn’t just for her to create choreography for me; it was for me to do it.  To conquer it physically and emotionally; to own it, even with other’s eyes on me.  To tell this story and take this step, I had to learn details and contradictions.  I had to learn how to fall, how to collapse.  To let my chest cave in at the weight of love; to be heavy. To step forward from the heaviness, right away, and look up and still shine bright.  I had to look away, to walk away, but be willing to turn back around, to look my story directly in the eye.  I learned that small steps can be powerful. Sadness and happiness can be just two beats apart.  I learned angles are critical, the ones we have and the ones we create.  I learned that small details can store beauty, even if only for a long breath. I learned I can settle into a feeling without sinking into it.  I can experience a rhythm without staying in it. I can dance to a lyric when it feels right and move to the backbeat whenever it pulls me.  I can keep moving, keep going.  I can conquer, sometimes, by surrendering.  The surrender is a sacrifice and a gift.  The surrender comes from my eyes and fingertips and the point of a toe.  I can curl my fingers one at a time around pain, and I can still open my palms up to the sun.  I can be vulnerable and confident, strong and soft.  I learned that timing is everything. I learned that I can be in the moment. I learned that you can love and still walk away; you can acknowledge magic, and still walk away.  Walking away, sometimes, honors the love and magic and beauty of it all. I learned that if you acknowledge vulnerability and step into it, you can own your movement and your story. I learned that energy carries on even when the song is over.

This Soul Curator thinks she is simply teaching me to dance, slightly (leaps and bounds) more gracefully and uninhibited than I was able to before.  This Movement Goddess knows she is giving my heart another dimension to express itself. But she does not realize (until I tell her) that the details of my fingertips, the point of my toe, the bend of my knee, the surrender of my chest, the gaze of my eyes, the sinking of my hips, the rhythm of the backbeat, the safety I feel in her presence as I spin and glide and step and, even, cry – this empowers me.  The owning of this story with my whole body, every day, as I surrendered my power and claim my vulnerability is a gift.  It is strength that does not disappear when the song is over, the dance is done, the video faded out, and the stage exited.  It, thankfully, lives on.

How immensely grateful I am to have found, with the help of this Beautiful Magic Soul, the truest part of myself and danced with it.

#KarmaRainesChoreo

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What Do You Call This?

When someone’s presence hugs you, what do you call this? When his presence melts you, makes you forget your resolve, forget what is around you. What exactly is this? When his presence feels like a first sip of wine. Feels like a direct beam of sun on bare skin, feels like a gentle sink into warm sand. Feels like the opportunity to make a wish on a star, right when you need one the most, with a thousand more stars simultaneously appearing so you can’t quite tell which one you spotted first. When his presence feels like the last step required to reach the most beautiful vantage point, makes you forget you’re sad.  When his presence feels like a smile, like an unbelievable view. Like a clean slate.  Feels like cold water slipping over your skin as you dive over a wave, taking your breath but making it stronger. When his presence causes you to shed a layer of uncomfortable skin, each time, bringing you closer to the best you, the you that feels least censored, most like You. When his presence feels like dejá vu to something that hasn’t happened in this lifetime.  When his absence viscerally Hurts, what do you call that?

What do you call this, when you think of someone until you cannot think of him anymore? When you have to build two projectors in your mind, one dedicated to him, just to open up space for other thoughts. When you need to visualize not thinking of him to make that a possibility. What is this? When your mind says his name, because there are words wrapped up and tangled in his name that you can’t seem to say separately, can’t even identify, but need to announce. When your mind hears him saying your name, just to ensure you remember what it should sound like. What is the name for this? When your mind sees his smile when you think of happiness, sees his tears when you think of broken hearts, sees his eyes when you think of connection, what exactly do you call this?

heartWhat do you call this, when you intimately know anger, and hurt, and confusion, and regret, but it is something else that makes you cry. You can acknowledge those feelings and swallow the lump rising in your throat at the same time, no problem. But you choke when you try to state how much concern you have for him. You feel the lump before it breaks your voice, you feel it from the hairline where you begin to push your hair behind your ear to the toe peeping out of your shoes, fidgeting as you try to stay composed and fail. You fail, tears falling from your eyes, when you try to connect this concern to just one word, to capture and vocalize it. It’s too big to capture; it’s not just concern. Realizing the amount of energy taken by your worry for him. Realizing how you have denied this to yourself. Realizing that the other emotions, bigger in reputation, are mere shadows to the Concern for him. Feeling every moment of worry and all their accumulated weight as you try and try to articulate just four words – “I was so worried” – and cannot. What do you call this?

What do you call it when your want is for his content, when your need is for his peace, even if you are part of neither. When you see him pushing a heavy stone up a hill, and are willing to offer your strongest muscle — stronger than your shoulders, stronger than your legs. The muscle that feeds blood to all other muscles, that beats beautifully and strongly and selflessly. When your desire to make the offer is outweighed only by the painful knowledge that he has to navigate certain inclines alone. That your familiarity with the hill and the destination doesn’t matter. What do you call this when you (almost) contain this beating muscle that normally can’t be contained, that you usually can’t help but wear on your sleeve, that isn’t currently beating just for your benefit? This feat feels nearly impossible (impossible). I need to know what you call this.

When you keep turning the pages in your story, and you are certain those pages will contain him even if his name isn’t written. In flashbacks, in wisdom. In your choices, your dreams. In your self-reflection. In your touch, in what you look for. Somehow, in what you find.

What do you call this?

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It Was October

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It was October, and she was courageous.  It was October and she went where she knew life was changing, slowly and quickly all at once.  If she didn’t go now, she’d miss a window of opportunity.  It was October and she left the warmth of her home to go to the warmth of a city that might feel like home to her.  She had friends alongside her, but a bareness to her soul that she didn’t have when it Was May and she cried or when it was September and she Smiled.  She had shed layers that protected her, and she was being courageous.  She was unrestrained and more aware.  She was unrestrained and more free.  She was unrestrained and steps closer to her truth.  She was unrestrained and on the brink of owning that truth. She was conspicuous and proud and unafraid.  She landed in the small airport and made her way through crowds, and it was hot but not suffocating.  And she climbed into an old red car that felt beautiful in how dated it was.  Valued for so long, handled with tenderness, retaining its strength.  Something felt familiar, but she couldn’t quite figure out what.  She wove through a peaceful suburb that reflected the countryside, into a city that had layers upon layers upon layers of deterioration and beauty, filth and shine, history and relevance, peace and energy.  The beauty and shine and relevance and energy stayed with her, echoing inside, rolling into her courage. She walked up the marble steps, over the museum, off the old plaza, and settled into a room with a window overlooking a skyline that looked like uneven diamonds in a rough, with a breeze and music filtering into room.  What memories would come with her from this room, this city, this place? So many, she knew already, having not even opened her suitcase.  It was October and her courage was opening her, was letting her be known.  She led the way through city streets underneath a powerful sky, meeting the eyes of many who looked right at her.  She let herself be seen, she didn’t look away.  Her laugh bounced off the large doors and open windows and around the courtyards, uncatchable.  Her heart was full with emotions that didn’t scare her.  It was October and she courageously embraced the complexities woven through her heart.  There was no confusion, just brightness and light and clarity and acknowledgment.  She walked and let her steps silently brush the cobblestone streets, inviting a necessary intimacy in their uneven terrain.  The wind rushed through her hair and the salt water layered on her tan skin and clothes and the sun gently warmed her as the clouds remained powerful in their protection.  Dominating, breathtaking.  She courageously breathed it all in, wondering what would stay with her but not worried about its impact. She slept late and peaceful without any movement but with so many dreams.  She listened when she couldn’t speak, and spoke when she couldn’t understand.  She pieced words together as music and strokes of paint patched together the backdrop of her days.  It was October and it was warm and she was courageous.  Energy built, the familiar began to feel like home, she shined a little brighter.  The crumbling of walls happened around the city and around her heart, and nothing but beauty burst out.  Patches of sky blue underneath the white chipping away. The bittersweet, the potential that wasn’t in grasp, felt more stunning than anything.  It stunned her and she sat with it.  The city had something to say, she had something to say, her heart had been trying to say it.  For so long, so so long, she hadn’t said it. Not yet, not her truth, not fully. But her heart was peaceful with it. It was October and she didn’t want to leave this place where her fortress was crumbling alongside some of the courtyard walls.  She was in love with something within this city. (Was it herself?)  It was October and the courage was pouring from her eyes, and it was inviting.  She was aware of the invitation her eyes offered him before she could stop it.  He accepted the invitation before she could withdraw it, so unafraid to act, so quick with generous kindness. Tempted as she was to run and hide, she remembered: she had courage.  She had nothing to lose but a wall.  She owned her truth.  The strong colors of her heart blended into the strong colors of this city.  The beat of her laughter blended into the pull of the strings on a base, the ache of sound coming out of a trumpet.  Why withdraw? There was no reason, it was October and she was unrestrained and truthful and he was kind and generous and stunning in his presence.  The heights of her courage said to him, For a few days, I am here.  For a few days, We have moments.  For a few days, You can hold my hand.  For a few days, I will give you Me.  For a few days I will dance with You, let You watch Me dance, let You see Me smile.  For a few days I will give You glimpses of Me.  And she thought that was all she had to give, and it would be enough, it would satisfy him and her both. Then the rain fell and washed the city clean, polished white walls that had been, before, dusty. Fresh.   It was all pure even if an intricate history had got the city and Us here.  And she was no longer satisfied (he had never been).  And the rain kept falling and falling and falling, pattering against the uneven streets and in the courtyards and against the buildings that had make shift drainage.  He held her umbrella over her, except when she said she didn’t mind the rain coming down on her.  And the falling was hot and cleansing and wonderful and vibrant and surprising.  It paused life without stopping it. And the rain taught her lessons about falling and falling and falling and going with the Fall.  Just go with the fall. It was October and she wasn’t so scared to let the wave that crashed over the Malecón wall splash onto her.  She wasn’t so afraid to walk in wet clothes, clothes that couldn’t and didn’t hide her curves let alone what lay behind her eyes.    Her eyes had his wings and the shore where he drowns, so beautifully sung words, and he drown there willingly.  So willingly, when had someone been so willing before?  When had someone been so clear in his desires, so present in his offerings, so unrestrained by his own heart? So without restraint. So willing to give Her all of Him. He was the beautiful energy of the uneven streets and hugimg_5129e doors leading to courtyards filled with magic stairwells and art and music.  The courtyard outside her window, with its uneven skyline against the backdrop of powerful clouds, was imprinted each night and morning with their music and their words and her beauty and his presence and their voices, each day looking slightly shinier.  The clothes hanging to dry slightly brighter, the melodies of the birds slightly sweeter, the trees far away from the urban courtyard slightly more green. It was October and she was courageous.  It was October and she decided maybe she had more to give.

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I Like You

A somewhat fictional like-story with mostly non-fictional emotions

I like you.

This is what he said to me, as soon as he looked at me.  “I like you.”  I took one step closer to him, my hands in the pockets of my hoodie, my heart separating into one million little pieces — not breaking, but rather making tiny bits of air and space between each piece for his words to settle into.  I took another step, and I tried to keep my heart from creating too much more space, but I could already feel the words weaving there way through and filling the new crevices. When my heart crystalized itself back together, the words and my heart wouldn’t be separate anymore. Stop, my mind told my heart.  Say it again, my smile told him.

“I like you. I really like you. I like you.”  His words expanded my heart instantly and expanded my smile uncontrollably. I looked at him, right at his eyes, right inside of him.  He had on white workout shorts and his own hoodie.  His hands weren’t in the pockets, they were down my his side. So few people have the confidence to just let their hands be – to not hide them, not cross them, not use them until needed. He does. His words got quieter and more powerful as I stepped closer.  His words pulled me to him, the quieter they got the stronger the pull and the more clear the sentiment.

“I like you, too.”  Somehow my hands had gone from my pockets to his face.  It was a power outside of myself that moved my hands (extensions of my heart and my smile).  Was it the telekinesis that my daughter had asked Santa for, on my behalf? What super power was it, that moved my hands so that now my palms were outlining his chin line? How did I get to him so quickly. How did I get out from behind the wall that I had been hiding – the bricks scattered at my feet – and to him without even realizing what was happening, when I was moving so slow?  Why were my hands on holding his chin, his ears, and not putting the bricks back up.  “I am so glad you are here.”  His smile is as equally bright as mine is wide.  I say it again, more quietly, more powerfully.  “I am so glad you are here.” I am not really saying the words, I am breathing them into the space between us.

My hands are on his face, but might move to his shoulders, his collarbone, his arms.  They can’t decide what to embrace.  His hands are holding my hips, are around my back, as strong as he is confident.  His lips brush mine slowly, timelessly, lightly. Immediately, I feel the hundreds of other times we have kissed.  The thousand kisses it has taken to get us here, to this very moment, a moment in which a thousand kisses are wrapped up into one light brush of our lips and that brush vibrates the truth of his earlier words.

“I wasn’t going to kiss you right away.”  He smiles, responds “Okay.”  Our faces don’t move more than 3 inches from each others.  “Okay,” he says again.  Kissing him is what made all those bricks at my feet fall down.  Is it what made his bricks fall down, too?  Now we have 3 inches between us, our words hanging there, filling up the space.  We’ve said 41 words tonight, but 41,000,000 since we said our very first word.  41,000,000 since I said “Hi.”   It took those 41,000,000 words and the space in between each of those words and the time in between each of those spaces and the events that all those words were about and all the words that had passed through our minds that we didn’t yet say to get us to this night, when he said to me, “I like you”.  It’s every single one of those 41,000,000 words that are filling up this 3 inch space and that are making these three words vibrate with honesty.  He knows the “I” to which he refers, well. He has reflected on him, he has grown him. He works on him. He has shown me many sides of him.  He knows that I know this person, this soul.  He knows the depths of the word “like”, an overused and misunderstood word — seemingly light, easy and fleeting given our ease throwing it around, but critical, important, miraculous, necessary, beautiful.  He knows the “you” standing in front of him.  It is not the idea of me, or the first impression of me, or a projected version of me.  It is all of Me.

I can’t let these million of words and the space and time and emotion that happened in between each and every single one fill up the space for too long, I only last seven seconds.  Seven seconds later I kiss him, not lightly, not just a brush.  He pulls me closer, I pull him closer. I don’t know who is pulling actually. The pull has built up power through the 41,000,000 words and all that square footage of space in between the words.

There are stories of love at first sight.  There are stories of love that lasts forever.  There are stories of love that grows slowly, love that fades fast.  Love that disguises itself with different masks.  Those stories aren’t this one.  I haven’t yet read this story – a story of a like that takes 41,000,000 words to get to. The story of a like that is so deeply rooted – even though it’s just floating in the air – that it will only grow, spread, blossom, evolve.  The story of a like that has shifted my composition, placed my heart slightly higher in my body, slightly deeper in my chest. A story of words that have roots of truth, branches of strength, evidence and evidence and evidence of accuracy.  A story of hearing three words that the deepest part of me knew to be true before I heard them, but which impacted those same parts when his voice said them. He did not love me when he first saw me.  He does not love me today, and I don’t know that that he ever will. I just now know that he likes me. I know what it is like to be liked, by him, and to like him, and that is this story.

There are no words for a while, then there are some.  Just a couple.  I can’t remember what they were, but they were words that felt like opening your eyes after a yoga class, coming back to consciousness after a massage.  Words used like slow movements of my toes, the stretch of my arms, just to bring me back.  We looked at each other, again, directly, our faces five inches apart.  My hands pushing his hairline back as if he has hair to push back.  He is smiling, as wide as I was smiling earlier.  “I like your smile,” I tell him. It is flawless, with his dimples and cheekbones and the pronounced upward curve at both the very right and very left side of his lips.  A perfectly symmetrical smile, his lips even, curving upward to force a noticeable shine from his eyes.  A true smile, not a smirk. “I like when you smile.” When he smiles, I feel it.

“I’m happy.” He’s happy.  With these two words he says, we have layered ten more words onto our night.  Sometimes people take simple things and make them complex.  On the other hand, these words- I like when you smile, I am happy – took something very complex – unspeakably complex – and made it so powerfully simple.

A few nights before he walked through my door and said “I like you,” I longed to put my head on his shoulder.  A few hours after he said “I like you. I really like you. I like you,” just a few minutes after he said “I am happy”, my head was on his chest.  It is a strong chest, one on which I knew I could smile, laugh, cry, breath, rest, explore, lament, investigate, let my mind meander and wander and he wouldn’t grow tired of my presence there.  His hand on my shoulder, my hand taking turns on his chest, on his arm, on his collarbone.  Moving through the force of some power as gentle as it was strong.  We were adding more words to the 41,000,000 that had preceded, piling on the words after.  My head felt like it belonged where it was – it felt peaceful, warmly welcomed, it felt familiar with the territory upon which it rested. It was cushioned by a heart that had expanded itself with space so that my words could settle in, too, become part of him. I couldn’t see his eyes, he could not see mine.  The loud, well-projected voices of late night comedians was a distant white noise in the background, the sound fading from their jokes and audience laughter to the sounds of a strong, melancholy singer/songwriter, live on stage with ache in his voice, a power emanating from the instruments supporting him. He and I weren’t really listening; we were listening to each other.

41,000,000 is a lot of words, and not many at all.  There were hellos and goodbyes, questions and answers.  There were apologies, confusion and clarity.  There were words of curiosity, excitement, adventure.  There were words of caring and empathy and friendship.   There were words that caused laughter and words that caused silence.  Every word was true; most every one, anyway; mostly true.  After many many many millions, there were words of vulnerability.  There were simple words and there were the wrong words.  There were some words everyone in my life heard, some only he heard.  Some had seconds of space between them, some had weeks.  Some could be tracked and reviewed, some were forgotten once said out loud.  There were words we used hundreds of times: Amazing, Beyond, More, Please, Really, Yes, Strong, Loved, Thank you, Tomorrow, Can, Can’t, Goodnight, our names.  Some were followed by question marks and some exclamation marks and some periods and some ellipsis and some no punctuation.  There were things we never said and questions we never asked.  The space between these words radiates as significant as the words. The time between gave everything meaning, depth, outlined the impact. They gave us both an idea of how long we could go without saying any words to each other.  The space gave us a chance to better understand the words of the other, to know each other.  It gave us hindsight in the present.  When I think of all of our words, I know he knows me better than most but not as well as I’d like him to know me.  What do I with that knowledge? Let the words keep coming, keep piling. Let there be space in between.

“I should go soon.” Words I respect, but do not want hear.  “I know,” I tell him, “yes.”  He gathers his stuff, then pulls me close to him again.  The pull is magnetic, energized.  Quickly, before the words won’t come out anymore, I say, “Thanks for coming over.  It was so nice to see you.”  “It was nice to be here.”  Twenty three more words added, before we kiss for twenty three seconds or minutes, I don’t know, and he leaves.  He waves as I close the door.  I don’t want to let those be the last words for tonight or for forever, but recognize the need to give our words space. In that space, those first three words – I like you, I like you, I like you – keeping echoing.

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Termination Packet (Where Did I Go?)

It happens quickly, but slowly.  It suddenly becomes obvious, though you are naive to what is happening.  You had a job before college. You had five jobs during college.  You had twelve jobs since then.  You always had a job, when you wanted one. You had the jobs you wanted.  Your jobs layered on top of each other. Your jobs stitched together somehow.  Your jobs made sense of each other.  Your pay grew from $4.25/hour to $425.00/week to $4,250.00/month to more and more and more. Your surroundings changed, from the kitchen of a pizza place to a pool deck at a university to the gym of a school; from a foster home to an office to a cubicle in the West Village and back to an office in mid-town Manhattan, then a bigger office in Los Angeles.  Your responsibilities grew and grew, from being contained in a short check list to being overflowing from a box to overflowing.  You had mentors, friends.  You mentored, you befriended. You went to work.  You went to meetings.  You went to events.  You traveled.  You networked.  You joined organizations. You went to conferences.  You made friends around the country, around the world.  You had breakfast meetings and work dinners.  You wrote reviews and received reviews and critiqued yourself every single day.

You laughed with colleagues. You commiserated with colleagues.  You worked on projects and helped push things forward.  You followed directions.  You proposed solutions.  You made decisions.  You gained respect. Your colleagues became your friends, remained your colleagues and remained your friends even when jobs changed.  You tackled problems and learned the art of graceful navigation.  You spoke.  You listened.  You shined, you survived, you shined again.  You evolved.  You fumbled.  You learned.  You did better than you thought you could.  You didn’t do nearly as well as you wanted to.  You gained experience, you gained opportunity.  You were always confident.  You always had a job and you created a career. This was a thread that made the fabric of You.

And then, you didn’t.  You didn’t have a job.  For 26 years you had a job, and then in 26 seconds you didn’t have one.

You had heard before that a person’s career is a major part of their identity.  You didn’t know how true this was until you didn’t have a job, and you couldn’t segregate the concept of your job and your career and you suddenly felt like you didn’t have an identity.  The thread, woven from head to toe, around all your major muscles and your heart and your mind, was pulled out.  Such a long thread, completely unraveled, laying on the industrial carpet of an office you had to leave.  You packed up the pictures of your kids.  You packed of memorabilia that you could take home.  You thought of projects that you wanted to ensure didn’t slip through the cracks.  You flagged colleagues you know needed help on projects so they weren’t stranded on an island unknowingly without you.  You left your ID card, and you left that pool of thread. It already looked tangled. You walked out of the building, wiped a tear away or two or three.  You had 129 texts within hours, maybe minutes. You don’t know.  It just had been 26 years and you couldn’t separate out the hours, minutes, moments, months, years.

At first, the loss seemed so big.  The loss felt so monumental.  It felt insurmountable.  You lost yourself, you thought.  Not just your wind (though that, too), but you.  You.  All your stitching was gone and you felt weak, not yourself.  You saw a girl who taught kids how to play dodgeball, who counseled a group of foster children who felt unloved and unloveable.  You saw a woman who wrote decisions on behalf of a judge, explaining who was right, who was wrong, and why.  You saw peaceful shoulders presenting to a group of colleagues, sprinkling humor occasionally into her tone to keep their attention.  You heard accolades and accolades.  You heard challenges and critiques and feedback.  You saw a woman who rose to the occasion, on a daily basis. Rising to the occasion by just showing up.  Rising to the occasion by working hard.  Rising to the occasion by thinking of her teams.  Rising to the occasion by inviting others to every occasion.  You heard job offers and congratulations, you heard promotions.  You saw mountains of projects and saw the woman who would try to turn the mountain range into tiny chunks, easily climbable.  You heard colleagues asking you for help.  You saw a woman giving help.  You saw a woman who looked away from her computer to talk to someone who had a question.  You saw a woman who would reach out with her own questions.  You saw a woman who learned to be vulnerable, because it made her smarter.  You saw a woman who put her head down, who kept her calm, who advocated, who followed her gut, who learned to trust it.  You saw a woman that kept her head up, looked others in the eye, said the hard things in a productive manner.  You saw a woman who learned not to be contrite, not to say sorry.  You saw things you got done, you saw things that you never got done, that you wished you would have.  You saw mornings you wanted to stay in bed, but you made it to the office and got shit done.  You saw your name on the notes and projects laying on the desks of people you hadn’t worked with for six years.  You heard your name being mentioned at meetings you hadn’t been part of for the same period of time, announcing “Go get Nikki Hart, she can help.”  You saw Nikki Hart, and it didn’t feel like you anymore.

And you cried.  A lot.  You said these things out loud and you cried more.  Because it felt like a kick in the stomach each time, a kick in the stomach that was no longer yours but that still hurt, still made you feel pain.  Where did you go?  You opened up the folder with the instructions on what would happen, what to do, where to go, now that you didn’t have a job.  And you weren’t in that folder.  You wanted to tell everyone you lost your job, but you didn’t want to tell anyone that you lost yourself.  Both losses felt too big for words.

Then: you drove your car, you sat on the stoop of your house in the sun, you talked to your sister, you climbed your favorite hill, you recalled things you know how to handle only because you have experienced them, you heard a little white space reappear in your mind, you corrected your son’s math problems, you drank a glass of ice cold water, you finished reading an essay on a Peruvian television show about the Value of Truth, you looked over your resume, you jotted down notes of items to add and responsibilities to clarify, you fixed your sink, you thought of a love story you wanted to write, you threw out dead flowers, you looked up the address of a professional event you had RSVP’d to.  You went and picked your kids up and you took them to the field where football practice would be. You watched your daughters ride their scooters with their best friend, you watched your son run tackle drills.  You saw the sky turn from blue to a shades of purple, you saw the rolling hills just to the south turn from a vision to an outline.  You felt a cool breeze and little grains of turf against your calves.  You had stopped crying but then tears started rolling again.

These tears were different though, and you couldn’t quite wipe them away.  They felt like you, they contained you, they nourished you.  You looked at the outline of the hills, one of which you had earlier climbed.  You leaned back on your hands, your palms now feeling the same grains of turf that your calves were familiar with.  You smiled.  Somehow you knew, deep deep deep down in the most knowledgeable part of your heart and in the clearest part of your mind, that this was good.  You have the opportunity to show what you are made of.  You have the ability to learn that you are made of something even stronger than you already know.  You have the opportunity to become the You you already are and can be better at being. You have the ability to use your confidence (which, you realize, is still there; it’s there), your smarts, your smile, your approach, your values, your experience and your ambition and desire to write your next chapter, to invite good things to you. It’s beautiful, this opportunity.  You smile with a deep knowing of the beauty.  You smile feeling it deep down where some people don’t let themselves feel anything.  You smile knowing this happened for you, not to you.  You smile because in this moment, you know what has happened is good, not bad.  You smile because somehow you know, you lost your job, but not your career and not you.  You smile because you can already see You just a little more clearly, and are excited for what’s to come.  You smile and close your eyes and imprint this feeling and this knowledge.  You imprint it, so that as you navigate the curvy road ahead, you can remind yourself.  Without this moment in time, you couldn’t show what you are made of.  And, wow, what beautiful strength you have to show.

 

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My Grandpa Bob (Family)

 

He lived a long, happy life. We would all be lucky if we had half the life that he did. It is a life worth celebrating.

These were my mantras when people heard my Grandpa died. And they were true – he lived a good life. 93 years, mostly healthy.  Nearly 70 years of a fulfilling marriage.  12 kids, 38 grandkids (I miscount and say close to 60 all the time, or embellish, nearly lie…but still, 38!!).  38 great grandchildren.  A retired Chief of the Denver Fire Department, a WWII Veteran.  A kind man, with a solid moral compass.  I know my beliefs were vastly different than his; our religions different.  I think he knew this too, but ultimately what mattered most to him was my kindness, my good heart, that I was family.  A persistent sense of humor and an easy laugh.  A full heart and a full home, even once his 12 children grown.  That those are the most superficial stats of his life reflect how easy it was to explain his life was one well lived, worth celebrating. During a thoughtful, beautiful eulogy, my uncle – my Grandpa’s first son-in-law and friend – noted that he held a spot in his heart for every one of his kids, his grandkids, his great-grandkids.  And he did.  I lived away from my Grandpa most of my life, but there was never a time that he didn’t know everything going on in my life; that he wasn’t interested and concerned to know more. The mileage didn’t negate his pride or his love.

I got teary-eyed when my Dad told me he died, I think as much for empathizing with my Dad’s loss as for the loss of my Grandpa. What a hard, layered loss, the loss of your dad, no matter how long or happy his life.  When I arrived in Colorado for his services, the tears came a little more freely.  First, when I saw him in his coffin.  He looked peaceful, but his soul wasn’t there anymore.  His energy elsewhere.  It hit me then, and I missed that energy and that soul.  Then, seeing the faces of his sons and daughters.  Seeing my Dad and uncles and aunts cry, seeing the missing behind their eyes, it breaks pieces of my heart apart.  When I was a kid, I would cry with empathy if not all three participants on Wheel of Fortune walked away with money.  Watching people you love lose someone, and mourn that loss, and have to be brave and courageous and present as you honor that life and recognize the loss, that tears this empathetic heart apart.

My trip was quick, I was only there in Colorado for a little over 24 hours, enough to attend the Rosary, the Funeral, the Burial and the reception after. And I cried throughout, but not until I got on the plane ride home did I really cry.

From the reception, my family (and extended family and extended-extended family and friends) were going to my Grandpa’s house for the Irish Wake and drinks at Hart’s Bar. A bar, in the basement of the modest bungalow where my Dad and his siblings were raised, where we celebrated Thanksgiving and Christmas and St. Patrick’s Day for year after year after year, no matter how big the family got or how small the space seemed relative.  A small bar never without beer or Jameson, next to a living room that could pack in more people than some small neighborhoods.  Where you could walk up the stairs and escape to a much cooler upstairs (though one that was never occupied with more than a couple people), fresh air on the drive way and backyard right out the door (where you usually could find a pickup basketball game going on and someone running and hiding for any plethora of reasons).  A bar where the teasing was served as well as the drinks.  A bar where jokes were told.  A bar where there were no strangers.  A bar where those in the family that were shy started talking.  A bar where those that weren’t shy led the circus.  A bar where many of my cousins had their first drink.  A bar where adults did what they do while kids of all ages ran around and caused havoc with an unspoken permission so long as they kept it just slightly on this side of chaos.  A bar where 12-year old cousins were the ones in charge of the 2- and 3-year olds.  A bar where the 16-year olds were occasionally in charge of the 40-year olds.  A bar that was adjacent to games being played, stories being told, memories being made.

I spent all my holidays in this bar until my family moved to California when I was 12, then I spent them there sporadically. The Hart family grew and evolved over the years, but the spirit of this big family with my Grandpa as its patriarch remained the same.  If there were adequate words to describe the feeling of family as you walk into the side door of bungalow on Depew St, and down the flight of stairs into the basement housing the bar to your left, the living room straight ahead – I would write those words.

Whether it’s 1977 or 1989 or 1995 or 2007 or 2015, it’s warmth. It’s being known.  It’s sharing the same color eyes, the same longing for laughter.  It’s a strong hug, a kind look.  It’s a deep caring down to your core.  It’s pride.  It’s warm cookies, it’s the smell of coffee cake.  It’s turkey sandwiches with potato chips squeezed into the middle.  It’s safe adventure.  It’s an embrace that can bridge time, bridge distance. It’s hearing stories that shape your history and your future.  It’s chaotic energy that builds a safety net for you to be able to do anything.  It’s the first sip of whiskey that takes the edge off without even having to have the whiskey (but, for most of us, having it anyway).  It’s tears shared.  It’s sadness washed away.  It’s life lessons coming alive.  It’s finding yourself through others, finding others in yourself.  It’s so much life right at your fingertips.  It’s visceral.  It’s welcoming.  It’s taking your coat off but still feeling warm and protected from the elements.  It’s all the elements there together.  It’s silence and commotion.  It’s a maze you have never been in but know how to navigate.  It’s safe.  It’s safe.  It’s welcoming.  It’s warm.  It’s lively. It’s alive.  It’s family.  It’s love.

When I got on the plane to come back to my kids in Los Angeles, it hit me. It hit me that they may never know what it feels like to walk into this basement bar.  They may never truly know what it feels like to walk into this family.  My son has memories of it from the Irish Wake and celebration after my Grandma Bevy’s funeral, memories I hope make a lasting imprint with all these feelings.  My daughters may never have that opportunity.  They loved this house – they loved the piano, the backyard, the candy my Grandpa gave to them.  But they never got to be there with everyone.  They never got to experience this safety net woven together by chaos and people and energy and love of this great big huge family.  I realized as I boarded the plane, that while never taking for granted how special this family was, I somehow took for granted how special the experience of it was.  If I had the chance for a do-over, I’d have them miss two days of school, a first football game.  I’d spend the money on the tickets for all three of them to join me to celebrate my Grandpa’s life.  I’d have them walk into the basement with my parents and uncles and aunts and cousins and second cousins and friends of cousins who are like cousins and spouses and girlfriends and boyfriends and warm air and no space and laughter and jokes and teasing and depth and drinks and trust and familiarity. I’d let them weave their way through the people who love them, let them find toys from the 1950s, let them escape to the fresh air under a basketball hoop and the stars.  Let them have too many sodas and cookies and experience freedom and laughter and antics all in the safety of a few hundred square feet.  I’d give them this experience that can’t be put into words, this one with a lasting impact and beautiful imprint.  I’d give them this experience of Love and Family, an experience that can’t be recreated no matter how much love I bring into their life, an experience that my Grandpa helped create with his long and happy life, his life well lived.

 

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Goodnight Mantra

Tell us The People That Love Us, Momma.”  Sasha asks as she lays cozy in her top bunk, buried under 3 comforters but on top of the one meant for her bed. She’s surrounded by her stuffed animals and dolls, some of whom she’s given up her pillow to.  She positions her muslin blanket – had since she was a baby – over her shoulders and touching her chin, her right thumb in her mouth.

Yes, Momma, The People That Love Us.”  Gemma echoes from her top bunk, perpendicular to Sasha’s, with same setup — four comforters, even more dolls and animals than Sasha, some of whom are in baskets she has transformed into bassinets for those under her care. They are both on the verge of sleep as I sit on the foot of Gemma’s top bunk, my hand on her calves, my gaze over at Sasha.

Okay sweet girls. Get cozy.”  And with that, I start.  “Momma loves you.  Daddy loves you.  Papa and Grandma and Peppy love you.  Aunt Billi, Riley, Brady, Reeves and Bear….”

At some point, when Kai was two and the girls were one, Kai wanted me to “talk” to him after his goodnight books.  I indulged, but soon learned that if I wanted them to sleep, I had to do something akin to counting sheep – hypnotize him to sleep – rather than engage in conversation that would keep their (his, at the time) curious minds active.  I sat there in the Brooklyn bedroom, thinking back to when I was 19 and a freshman at Georgetown and I would go on walks and list — sometimes in my mind, silently; sometimes by talking to myself — all the things in life I was grateful for.  My parents, my intelligence.  Knowing the feeling of winning a race, knowing the feeling of losing a close one.  My opportunity, my ability to learn from mistakes.  My sister, my brothers, friends.  My favorite jeans, a soft t-shirt, memories of a first kiss, a best kiss.  Homemade chocolate chip cookies, my pretty eyes, my empathy for others.  Traveling and reading.  These lists would get me through nights where I felt restless with loneliness, fear of the unknown, questions about what I was doing.  I’d walk, and name all these things for which I was grateful. I’d walk and talk myself to a new head space, to a new peace.

Thinking of these lists of gratefulness, and how permeated they were with people that I loved and that loved me, I started telling them the people that loved them.  We lived in Brooklyn, and I thought it would be a nice way to remind them daily of the big family we had that did not get to see them as much as anyone would like.  It would be a way to remind them that their world wasn’t limited to the love in our house, but expanded well beyond.

Uncle Chip, Uncle Cookie, Colleen and Allen.  Crazy Grandma and Uncle Lonnie.”  The order is always the same.  Some pets included, some not, for no other reason than I get the names confused sometimes and the list is way too long.  “Uncle Shorty, Aunt Pammy, Aunt Cindy, Cousin Angie and Lori and Baby Camille and Baby Jillian.”  Some people are left out of the specific naming.  When I started this, while I had daydreams of them being adults and remembering fondly how nice this nightly tradition was – maybe they’ll even mention it when they win an Academy Award or write an acknowledgement in their Pulitzer Prize winning novel! – I also didn’t think I would be saying the names every single night for going on six years, and hadn’t considered how big my family is. (Have I written about how big my family is?  It’s big.  It’s huge! The “small” side of my family is my mom’s side, which still outnumbers most families I know by about 300%.) “Cousin Scotty and Grasan.”

I go onto my dad’s side of the family, the Hart side, which outnumbers most families by about 10,000%.  “Grandpa Bob, Aunt Mary, Uncle Jimmy.…” I go on, and on.  Sometimes, I go on uninterrupted.  Sometimes, they are full of interruptions.  If I skip a name they have come to expect, they remind me.  Some nights they interrupt to ask if Grandpa Ray and Grandma Bevi love them from heaven or wherever their energy might be.  They ask a question about our relationship to someone or the relationship between two people I list.  There are questions about death, and a debate about whether love disappears when our pets or grandparents or friends die.  There are questions about types of love, and how love happens.  There are nights when they want to go over the memories of each person I list — their memories, or, more frequently, my memories.  The questions are never easily answered, never simple and shallow (why would they be at bedtime?!).  Tonight, however, they are just listening.  “Corrie, Mandy, Robbie, Ryan, Jenny, Kylanne.  Aunt Natalie and Uncle Steve and Cousin Annie and Clay. Ari and Trey.  All of Mommy’s family and Daddy’s family. Your teachers, classmates, coaches, teammates, friends in Brooklyn, friends in Los Angeles.”  I name many, I can’t name them all.  But the love builds, they feel the love I acknowledge and love I invite in with this list.  Gemma once described my house as a castle where she felt wrapped up in love.  These names are part of the love I sprinkle into the air every night.  No matter how their energy was when the list started, it always becomes peaceful and tranquil and meditative.  Their breaths become deeper, slower.  If there is a zone of love, they are certainly in it.   Every night.

Like clockwork, I can sense them lingering on the border of awake and asleep, conscious and unconscious.  A few years ago, the power of these in-between-moments hit me: when I was 15, my mom bought me tapes that helped me visualize my swim races.  A peaceful narrator would coach me into relaxation, visualizing cells of power and strength and stamina and endurance going from my toes to my head every night, and then encourage me to visualize my race and have all these cells burst open right when I needed them.  I would fall asleep mid-way through the tapes every night, but the tapes would play through, straight through the headphones I used so as not to disrupt my sister with whom I shared a room, straight into my ear, my mind.  I had always been talented, always an even harder worker in the pool, but that was the year that I swam out of my mind and beyond my ability.  My mind and body benefitting from little cells of stamina and endurance and power and strength that I had previously not known (or forgotten) that I had.  At some point I started believing my lists of people that loved them were getting my kids to that zone where their minds might be open to mantras that their conscious minds might resist in waking hours.  So I go on…every night….

There are so many people that love you and that you are going to love.  Most of all, you love yourselves.  You are always going to treat yourself and others with respect and kindness, love and gentleness and forgiveness and warmth.  You are going to open yourself up to the world, bravely and courageously.  You are going to let people get to know you, and you are going to get to know them.”  Can I carve these mindsets into them?  Can I hypnotize them to be warm and open and brave and vulnerable? I will try.

You are going to leave a positive impact on all the places you go, all the people you meet, and all the animals you come across.  You are going to try new things, and go new places.  Some will be fun, some scary, some exciting, some challenging.  You will learn something from them all and be grateful that you got to experience so much.”   Can my words have the same impact as those little cells of strength and power and stamina that I visualized when I was 15? I hope so.

“You are going to make choices you are proud of, every day, and be open to all the other feelings you experience. You are going to be proud of a life well lived, and content in the deepest parts of your heart even as you feel other emotions next to that content. You will feel all sorts of things next to that content and you will always be okay, you will be content because you let yourself feel everything.”  Can I help them understand that a content life is one where you can handle sadness as well as happiness; excitement and pride as well as disappointment; fear as well as courage; love as well as heartbreak.  I believe so, if I lead by example, too.

Your worlds are going to be big.  Your minds are going to be broad. Your hearts are going to be full. Every night, I want you to have the sweetest dreams of all the things you love.  And every night, I will dream of you three.”  Can I make them feel worthy of an incredible life at the same time I give them the tools to use to make their life incredible?  Yes, I can.

Though I always finish the mantra, they are usually asleep well before I wish them sweet dreams.  But tonight — tonight I look over at Sasha, and though nothing moving but the rise and fall of her chest, her eyes are wide open, staring right at me, peeking out from her muslin blanket and cocoon of comforters.  “Sasha, your life is going to be so good, sweet girl. So, so good.”

And with this little extra addition, something super special happens. The corners of her mouth reach for her eyes at the same time they broaden to her ears, and her whole mouth extends into a smile and sparkles and twinkles illuminate from her brown eyes, lighting up every corner of her bedroom and every star in the sky.

I know, Momma.”

The smile and the sparkle and her voice embody Conviction, a deep Knowing down in her bones.  No words do that sparkle, that knowing, that smile, justice.  I know if I say more I will cry, but I can’t stop looking at her smile.  I want this moment to live forever. I breathe in the air that feels like it is tingling with cells of stamina and strength and power.

I know, too, sweet girl.  Your life is going to be amazing.”

It already is, Momma.”

A tear rolls down my right cheek, then another and then more.   She looks at me.  She watches  me, and I let the tears roll down and float by the corners of my own big smile.  She has no doubt what is wrapped up in these particular tears she sees.  She closes her eyes but her big smile remains, remnants of the goodnight mantra that will be told 3,000 more times floating through the air and through her body.

sashaclose

 

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I want to cry you out of me,
I want the tears to cleanse me of you.
I want each tear to take the pieces of you –
the pieces you left in me, the pieces I took from you –
and rid me of them.
Roll them out of my eyes,
down my cheeks;
let them fall, drop, trickle, plunge off me, to the ground. Be wiped away, evaporate.
Purify me.
I want to shed the layers
of you
I feel on my skin.
I want to push them down my stomach, pull them down my legs,
step out of them, put bare toes down on new ground.
I will wipe their remnants away, whatever it takes.
I want to expose new skin to the world,
skin that isn’t familiar with you.
I don’t want to show
the marks you’ve left,
the birth marks you know,
the spots that became a map for your hands.
I want new skin that isn’t
influenced by you, excited by you,
shaped by you, intrigued by you,
known by you.
I want to wring out my heart,
squeeze and twist it, force out all the
blood that knows the taste of you, blood that keeps getting pumped
throughout my body.
I want my heart to stop feeding my arms and legs and hips and mind with you,
to start beating with something pure, something clean, something naive.
I want to nourish my mind to be clear of you, clear from you;
create pathways that travel away from you.
I don’t want to walk around
with memories of you
layered on my skin,
in my heart, on my mind,
inside of me.
I want to cry you out of me.
And Yet…..

16 Months

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What I See (Confidence)

Monday Night, 6:05pm The clock ticks forward, the minute hand inching from the 1 to the 2, soon after the 3.  Soon it will be at the 3.   People keep trickling in, maybe 30 total, marking their spot, land grabbing for a little piece of wood floor to own as theirs for the night.  It is not a Cross Fit class.  (Yes, it is 2015, I work out, and I do not do Cross Fit. I am one of exactly 17 people left in the country that do not do Cross Fit.)  It is not Yoga. (Yes, this is Los Angeles, and I do not regularly do yoga.  I barely do yoga.  I have done one yoga class in two years.)  It is a dance class – Hip Hop Fit to be exact. 

I have always loved to dance.  I wanted to be a Solid Gold dancer when I was growing up. You’ve heard this before because….well, because, it’s still true!  In my head, I am a dancer.  In some past life I have led or — if I’m lucky — some future life I am meant to live, I will be a dancer.  My body moved or will move exactly the way it does in mind, which is like JLo and Beyoncé and the female that can keep pace with Chris Brown.  So in addition to running, biking, and swimming, I added Hip Hop Fit to my workout routine.  Okay, let’s be honest.  It wasn’t added to biking – it replaced biking.  And to be honest, basically has replaced swimming too.  Not permanently, but temporarily.  As soon as my tan lines start to fade, I’ll add my lunch time swims back in the rotation.  But, I swear, I still run! And not just to dance class, I still run for the sake of running.

I’m in what will be the second row, staggered behind those in the front row who are just a couple feet from the mirror. I chat, but I look at myself in the mirror too. I like mirrors. That used to feel taboo for me to admit, but I do. Before/during/after a workout, for my entire life, I have taken time to catch glimpses of myself in the mirror. I sit with my arms around my knees, a posture that complements many things I love about my body.

What I see — the firmness of my legs, their outward curve from my hips and back into my knees, the line of muscles in my shoulders and collarbone, squaring up my frame.

6:12  I stand up and stretch and ensure I have the ability to see the mirror as we move.  Despite not being a dancer, my presence near the front of a mirrored dance room feels as a familiar as a dinner with my family.  My mom was one of the original queens of Jazzercise, and we tagged along and played in the back of the rooms she exercised in every chance we (she) got.  Jazzercise morphed to aerobics and step classes and she was always a staple, and if I wasn’t there to pass time or ride home with her, I was actually there to do the class with her.  And when I did, I always liked to see my body in the mirror.  Partly to ensure I had the right form, but mostly because I love seeing my body move, flex and work hard.  I love what I see and what it is doing.

I am not sure what gives me that body confidence — I am not a cover model, I am not tall, I do not weigh 125 pounds. I, literally, am not one specific body type, rather, a mix of them all except “skinny” which never disappointed me even when I thought it should.

What I see — my hands are stretching up and I’m elongated by a couple inches and I look at me straight on from the front, and I see a near perfect body.  It is strong and the curves of my thighs still gentle; it is smooth and mobile around my hips. My ribs define the area underneath my chest down to my waist, containing a big and capable heart and set of lungs. It is not 31-24-31. It is 39-32-39, and that dimension works beautifully.

6:15 Mike Peele, the instructor (see http://www.mikepeeleonline.com; see that the word “Fit” in Hip Hop Fit is not a misnomer; see Hip Hop is not a misnomer; see him and understand this class is all that you might expect and then some!) turns on the music and the thirty people behind and around him start following his lead.  I am in the second of 5 rows or 6 rows, because it is key for me to see the instructor, myself, and others that know what they are doing (ie, the first row!). If I am going to have a sliver of a chance of looking like I can follow the choreography, all three visuals are equally important.  If we were arranged based on talent and ability, there are moments I belong way further back! I’m eager to start.

What I see – as I stand and wait, I see the outline of the top of my arms, blending into my bicep. The muscle is substantive, even though the outline of it subtle. My right arm has a white mark inside the bicep – remnants of a removed tattoo, sometimes mistaken for a birth mark or scar from an accident. If you measure my arms at that point, they are 12 inches around. There is not excess nor lack of substance.

6:18 The first song — What’s My Name, by Rihanna.  I love this song.  Apologies to everyone around me who can hear me sing despite how loud the music is.  I can do many, many things, but singing is NOT one of them.  I sing all the time, but very few people actually hear me project my voice when I do.  My kids, myself, my old swim teammates.  All of these people confirm I cannot sing — I can’t carry a tune, I can’t find pitch or tone and I don’t even really truly understand what these things are.  And how do people make their voice adjust to it?  Fact — I cannot wink with my right eye and I cannot adjust what my voice is doing when it sings.  But at class, I sing every song very loud because I love each one and it gets me more into the dancing and because the volume of the music makes me forget that anyone might hear me.  We do some warm up moves to this song and I’m 1000% sure I am staying on beat, that I’m moving my hips and shoulders in the right direction at the right time and that I am as much as a dancer as a business executive, athlete, or mother. “I really wanna see if a boy like you can go downtown with a girl like me?”  It takes someone special, this I know.

What I see – the muscles in my hip flexors adjust to each movement as I roll my hips to each side. I see those muscles extend down to my quadriceps, with their outward curve accommodating that muscle. I’ve known that curve for 37 years, if not longer. I see a leg that another mom accidentally touched as we sat next to each other at swim lessons and made her exclaim, “Oh my, your legs are so solid.” It should not feel inappropriate to say that I think those legs – my legs — look as attractive as they are solid.

6:22 The music pauses.  We welcome any new students (there are always 1 or 2).  We go through the basic rules of the class.  We say hi to each other, fostering a sense of community.  I love and I hate this part, momentarily in and out of my element simultaneously.  Everyone is nice — across the board.  But I am always rushing in and out, and I don’t know anyone well, even the few other parents whose children attends school with the kids. Those pesky responsibilities and kids and that job I have sure do take up a lot of time! And though I am more open than I ever have been, still, I am wired to take a longer time to open up to people, particularly in big groups.  I am working on that, I’m evolving, and these “say hello” moments present me great opportunities.  But man, they slightly stress me out, as well.  I offer handshakes to people who go in for a hug.  I offer hugs to people that likely just want a handshake.  Once you hug someone, how do you backtrack for a handshake next time you see them?  It just remains awkward forever.  Nevertheless, I try to remember names and I am genuinely happy to meet people and say hello and be standing next to them. Mostly, I offer my smile.

What I see – warm, welcoming, friendly people around me. Visceral energy I’m grateful to be included in. Exposed brick, dusk skies through the skylight. Whirling industrial fans that won’t stop my sweat. When I glance in the mirror, my smile – broad, big, feisty even when not intended to be; hints of a smirk hidden in left corner of the smile.

6:25 We move on to Sorry by Justin Beiber.  I am not ashamed of my confidence and I am not ashamed to be a Belieber.  I love him. I have since I watched him play drums in Never Say Never (have you seen Never Say Never?? You should see it!). I love this song.  I SING.  We start learning the choreography.  Some steps forward, with pauses for a hip swirl (or shake if that’s all you can muster) and steps back with a bit more hips, then a turn.  Mike gives this look to the class suggesting it’s simple.  With this pace, this beat, and just eight steps, I feel like I can master it.  We repeat a few times, and I lose my thoughts and just move and it feels great.   “Is it too late now to say sorry? ‘Cause I’m missing more than just your body….” I wonder as I sing, when is it too late to say sorry?  Is it ever too late?  No.  I don’t think so.  If anyone ever had a reason to say sorry to me, I’d accept the apology instantaneously and 50 years later too.  If you’ve got the courage to say sorry, the courage will make my heart big enough to accept the apology. But that’s a passing thought, part of a flow of thoughts that diminish with each song. I am more focused on moving my hips in the right direction.

What I see – as I take my steps back, I get my shoulders to contrast movements with my steps. I see strength and subtleness when I move. When I swam, I never could see myself – and now, in the mirror, I see the result of the years of pulling through water. I was an uneven swimmer, my left side stronger than my right, my left shoulder still a little more pronounced than the right. I don’t mind it…who is perfectly even? I see my shoulders, and their breadth and their framing of my body. I see the lightest scar on my left shoulder, acquired decades ago as I joked with a friend who could have been more, a scar that makes me nostalgic for moments of intimacy whether friendly or romantic, whether lived a lifetime ago or just earlier in the day. I see me as a little girl dancing to “Stand Back” by Stevie Nicks in front of the mirror constantly, perfecting Stevie’s twirl where her head leads and then her body whips around fast to catch up. I watched my head curve to the right, saw myself out of my peripheral vision as my left side caught up, saw my shoulders pull my body around, my stomach angled in the midst, my legs figuring out how to gracefully end the twirl. I remember the watching of my body felt like I was getting to know a friend; I remember liking the curve on my legs and the straight line my shoulders created. It is those curves and straight lines that I still see today, that I like even more today.

6:28 Don’t Be Cruel.  Suddenly, I’m transported back to Chula Vista long course public swim pool singing Bobby Brown and Bel Biv Da Voe behind the starting blocks of a swim meet with Alison Terry.  I mean, what better way to prepare for a race?  First, I would lay and visualize tiny balls of strength, endurance, patience, confidence filling up my body, from my toes to my head. I’d see an outline of me, of my body, lines and curves condensed into one, filled with all that I needed, and then I’d see me swimming fast. Form there, I’d go behind the blocks and on occasion be dancing with my friends right before the race. I have a vivid memory of dancing to Don’t Be Cruel, one of my favorites, before a 200 IM.  Don’t think I am not singing this one out loud, too.  We add 8-10 more steps to the original 8.  More 1/2 steps, 1/4 steps, pauses, jumps, turns.  A common theme – the strong use of our hips.  I stumble on a few steps, but I generally get it.  The beat is slow enough that I can master it still (“master” in the broadest sense of the word.  Meaning — just.  keep.  on. beat.)  This is the song I use at home if the kids want to see what I learned.  Many times Mike steps up and his hips go left, and if that happens you can bet that my instinct is to have my hips go right.  His feet and hips move in opposite juxtapositions as my body is inclined.  When I first started, this bothered me, but I got used to following his choreography but making the moves look like me.  Trust me, this isn’t a cop out.  It’s wisdom!  I catch glimpses of myself as we go through and I pretend that Bobby hired me personally in 1988 to back him up on the dance floor in this video.  “As long as I’ve been giving my love to you, You should be giving me your love too, But you just keep on actin’ just like a fool.  You know it ain’t cool.  It just ain’t cool.”

What I see – sweat. I’m sweating more than anyone except the instructor.  How do people do any workouts and not SWEAT??? I like seeing myself sweat. I spent 17 summers in New York City reframing how I thought of the summer humidity and the sweat that humidity caused, and landed on the perspective that sweat is sexy. I think the glisten of sweat on my forehead, my arms, my legs, is sexy. (Side note –how much do you have to sweat before it is not considered a glisten anymore?) I see my body being capable, efficient, regulating itself as it works hard, retaining only what it needs.

6:32 Truffle Butter.  Well, I love this song, too, and I should be slightly ashamed to admit that the words I know best are the naughtiest ones.  The one Saturday I brought my kids to sit in the lobby while I did this class, this song was in the playlist.  As I sang the Lil’ Wayne part, “Uh, thinking out loud, I could be broke and keep a million dollar smile, LOL to the bank checkin’ my account, bank teller flirtin’ after checkin’ my account.….” The part after the ellipsis being the part that can’t be written here! I remind myself, don’t bring the kids to listen to this playlist.  They won’t know the meaning of the words, but they will remember them and repeat them and own them.  The beat still a good pace to allow me to keep up, to get through the 24-30 beats of choreography, and to make me feel incredibly sexy.  How can you dance to Rihanna, Justin Beiber, Bobby Brown and Nikki Minaj, with sprinkled naughty words and innuendos throughout, and not feel sexy.  Even if you aren’t sexy, you feel it.  And what’s the difference between feeling it and being it?  To be honest, I think none. No difference. The feeling of it is the underlying threshold need for being it.  For the choreography he layered onto this song, there is a move where we jump to criss cross our feet over each other than jump again to spread them far apart, all in a 1/2 beat, then bend down a bit and grind our hips to three more counts.  4 counts total.  I HAVE NO FAST TWITCH MUSCLE.  I cannot, in 1/2 a beat, move my feet to two different locations, let alone two that involve first being criss-crossed then spread far apart.  I can’t even have them together and apart in that half count.  Maybe if we were on a beat as slow as Snoop’s “Drop It Like It’s Hot” — I might be able to do it.  Then it would be in slow motion, and I could fit these two jumps into that first count.  Instead, I basically take the two jumps and turn into just one move to get my feet into the right position to grind and swirl my hips in a way that comes more naturally, even though it looks nothing like the move the instructor is making. The reality is, if there are 35 people in class, there are 35 styles of this easy grind but they all look perfect.

What I see – as I drop into the bend, the partial squat, I see my legs flex with a long muscle in both the quad and the calf. I see tanned legs working and strong enough, even if slow, to bend down further and jump up higher. I see a line that defines the muscle, separates it from the fat and meat and bone that composes my entire leg into itself, each component as critical as the other. I like each part equally, all composing the entire visual. At the top of my thighs, I have a freckle that marks a consistent measuring point. My thighs measure 23 inches around, each, at that point. They are firm and without cellulite and smooth and dense. I have seen them standing, running, in motion, sitting (the flesh pushed out wide), flexing (the muscle overexposed), wrapped around other bodies, by themselves. I like what I see.

6:36 Temperature, by Sean Paul.  You know, I used to think this song was just a normal paced song.  I might have even recalled it being a little slow, with a Sean Paul reggae flair that slows the beat down.  Well, this is not the case.  It is not slow.  We have our 30-35 counts of choreography, remember some counts have 2 moves (some might even have 4 but you can trust that I am modifying those and don’t even realize it).  I keep singing the few words I know to this song and make up the rest! “Well woman the way this time cold I wanna be keeping you warm…I got the right temperature to shelter you from the storm…Oh lord, girl I got the right tactics to turn you on, I wanna be the papa and you can be the mom.   Uh oh!.”  (Who the hell knows any other words to this song? I am 1000% certain we all sing it, and no one knows them. And no more kids, for me, please, no I won’t be the mom!)  Okay, now I’ve lost my ability to settle in and dance, at least a little, and I am just trying to move in the right direction at the right speed so not to trip anyone else up.  Where are my fast twitch muscles?  How do people move their legs and feet THIS FAST, and also have the ability to move their hips AND ALSO, even, their shoulder and chest and arms and sometimes in opposite directions from the direction their hips are moving?  How is that?  My arms, I try to use them. I try to exaggerate my shoulders and mimic what Mike and the dancers who Know What They Are Doing do, but my upper body is becoming a non-factor (aka — not moving) as the songs count speeds up. When did I actually think I could dance?  Just 25 minutes ago?  Did I really fool myself into thinking that? I only glance quickly in the mirror at my shoes during this song, I forget to look in the mirror otherwise. My feet are trying to move as fast as they can.

What I see – my ankles, their effort, their nimbleness, the tendons that connect my feet in mis-matched socks to my calves, calves that round outward and inward, muscle on both sides. These calves are covered with sweat, supporting the rest of me – both a foundation of support and a result of what all the rest of me is doing. I have seen them flex, play, ache. My ankles are sparse, not much to them, but accented as they mark the most narrow point underneath my calves. I like what I see.

6:40 Water break.  Thank god.  I’m sweating.  I need water. Can’t we break now for our “fit” part of class now?  No, we can’t apparently. More dancing to be done.

6:41 I have no idea what this song is, but it sounds like Busta Rhymes.  WHAT THE F……I cannot move this fast.  I don’t think I can. Okay, maybe I can.  If I don’t worry about doing it just right. If I don’t let perfect get in the way of good enough.  If I don’t worry about doing much with my arms other than what comes natural.  If I don’t worry about tripping up the people around me, who are likely trying not to worry about tripping up the people around them.  If I just dance, I’ve got it.  I even found a way to look like me while my hips go in a direction opposite of Mike’s as we grind down into three hip circles, and I even find a way to get my feet gracefully through what might be 2 jumps in that first of 4 counts that gets us to the position for those circles.  I set the self-deprecating humor aside, and I am enjoying every second of this and I feel like I got it and I like the way I feel when I’m moving.  I’m moving like me. As I turn from the left to the right with my left arm raised up and my hips swaying to the left, I see my stomach, working to keep everything together, coordinated. And I think of how I feel when I am getting dressed, in my bikini, or in less. And I connect this dance to that feeling of confidence.

What I see – my stomach and my obliques, straining with beautiful effort and rhythm. My rib cage is broad and wide, providing protection for a good set of lungs and a big heart. It creates and is the center of my large boned, but proportioned, frame. I see my rib cage narrowing down from my chest to my waist, accommodating my deep breaths. My chest measures 39 inches, my waist 32 inches. Who would be able to guess these measurements, I don’t know. I like the slight narrowing, the slight accent on muscles you don’t see when I am not moving, the subtle in and out of the flesh, a movement I can visualize underneath my tank top as I breath.

6:45 – THE FIT PART begins.  Hotline Bling, Drake. Slow enough to make every move more deliberate. Slowing down for this – for the squats, planks, pushups, ab work, lunges – harder, not easier.  And as much as I like to dance and like to see myself dance, I love to see my body do these things. The muscles flex more, my form strong, my back confident. I sweat more. There is no amount of squats I can’t do. (Okay, maybe there is some amount I can’t do). My glutes stronger with each one, and I see the side muscle in my glutes flex through as I push up through my heals. That is one of my favorite muscles on anyone. It shouldn’t be so bad to say that about myself as well as someone else. My shoulders and biceps and triceps and quads and hips and calves and stomach and obliques and neck and back, all working, all moving, all coordinating. All strong, all very very sweaty. I adore seeing my body take each move and Accomplish it. Over and over. I like the control and the strength. I own this enjoyment. I wish I could bottle up this enjoyment and pride and sell it to everyone. We should all feel this pride, this love, this affection for the bodies that house us.

What I see – all of me, moving in unison. Hills and slopes, curves and valleys, muscle and softness, sweat. Toughness, tenderness. Smoothness and lines. Tiny gaps between my certain parts of body while other parts of me touch. Freckles scattered like stars across my thighs, lighter and denser on my arms. There is no doubt that I like what it is all capable of, I have always been proud to say that. But I just like the visual by itself, as well, and that seems to be an affection that is harder to find.

200 squats later, 300 situps later, 100 pushups later, 5 or 50 minutes of plank later….We stand up. My legs are a little shaky, a slight quiver. I won’t dare say what that quiver reminds me of, and I love it.

7:05 We dance again. This time to Missy Elliott’s new song, WTF (Where They From). Has there ever been a Missy Elliott song that the whole world didn’t want to dance to? I know the beat, though barely know the words, but I still sing the few I do know. “Boys to the yard for some hip spankin’, Where you make it drop down, it like you animated.” Dancing animates us. It animates the best parts of us. It animates our souls, the feelings we have inside us. It helps clear out the noise from the day and bring to life a feeling that gets buried deep down in our bodies. That can feel powerful, but it can feel simple and light as well. She keeps dancing, and somehow I find that I am not even thinking. I am doing every move, in the right order, on the right beat, but I am finally not even thinking about it. I am not thinking. I am not thinking about one thing. Every worry of the day has fallen away, every critique of my choreography evaporated. I am just dancing, just moving, just having fun.

What I see – my eyes, wider than when I started. Green, outlined with eyeliner and mascara that has smudged a matted dark circle around them. They look pure, framed out by my dark eyebrows, on top of my long cheeks. My face splattered with the lightest freckles that make it hard to tell if the color is caused by freckles or just touches of sun. There is sweat across my forehead, my blond hair wet with more sweat, pulled back off my face, giving me more room for more expression. I see eyes that communicate. I see eye words I’ve exchanged through a glance, I have quick passing thoughts of the faces I’ve spoken to with my eyes. Even if you can’t see my mouth, my eyes are smiling, they are sparkling a little bit. The sparkle and light coming from something deep in my core, from the music, from the enjoyment of my body.

7:10 One more song. The fastest one yet. I am not sure what the song is, but I’ve heard it ten thousand times. Every time I’ve gone dancing. Some song from the dance floors I frequented in 1992 in Tijuana, Mexico. The dance floors in Washington DC in 1994. The dance floors in New York City from 1997-2002. The dance parties in my condo in Brooklyn. The dance floor in Hermosa Beach in 2013. I’ve heard this song at all of them. It’s the song they play when everyone is there on the dance floor, forgetting everything else around them, dancing together and alone and together again. Hands in the air, smiling, flirting, laughing, spinning. It’s the song that legitimizes the party, that makes you decide you are not calling it a night. That the night will go on. We go through the choreography 4 times. What didn’t feel hard now highlights the fatigue we all feel in our quads, our arms, our backs. But it feels easier too, because we aren’t working out, we are just dancing. Enjoying every last minute of the hour that gives us time just to enjoy the music, the movement, our bodies. The hour that gives us a chance to be out of our heads, and in our element.

What I see – me. I see me. I see a 5’6 inch blond. Strong legs, wide shoulders, curves and lines, firm and soft, tan, freckles and scars. I see a big smile and green eyes, hints of a sexy smirk. I see the girl who wanted to be a Solid Gold dancer, the woman who is an athlete, a mom, an executive, a friend, a lover, playful and serious, funny and kind. I see muscle, I see sexy. I see beautiful.  I see strength and warmth and thoughtfulness. I see tough.  I see movement. I see music and energy. I see Me.

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